Bionic and vanity were live or playback?

@DevotionHURTS

lo que pasa es que yo hablo español, tu eres capaz de escribir y hablar español como yo lo hago? pedazo de persona incapaz! realmente lo dudo!

entonces si me vas a insultar o hacerme sentir mal por algo que no escribí y que estás totalmente convencido que es lo que yo pienso, pues es tu problema! Me estás juzgando por traer un artículo que NO TE GUSTA! sorry linda!! entonces metete en una cueva y no salgas nunca más de ella.

Simple


GO COPY AND PASTE ON GOOGLE TRADUCTOR!!......

@DevotionHURTS

the only one who is dragging me is you just for posting an article that i didn't write!

sorry this is real life!!!

i won't mention you anymore!!

@NewAgenda

that's something that only us as fans we know!

a lot of people there the only thing that remember from her is her vocal talent, so for that reason i can understand those bad reviews and comments.


@DevotionHURTS

please grow up!!! why you always want to send everybody to the doctor when they have a different point of view?

@BYC

maybe cause was a festival and not just her fans were there watching her show

@DevotionHURTS

such i____

i didn't write that

let me bring a review that you want to read instead

THIS IS THE SOURCE: https://elpais.com/cultura/2022-06-26/c ... tival.html

A veces, el pop solo consiste en pegar con suficientes ganas que la gente se sienta sacudida. Christina Aguilera lo sabe. Su concierto en el Mallorca Live Festival fue un ejemplar ejercicio de pegada, músculo de una estrella del pop que se sabe estrella, aunque su fórmula sea sobreconocida. Es cierto que no tiene riqueza estilística, más allá de epatar con los estilos de moda de cada momento, pero su presencia escénica es fiera y personalísima, como una leona herida reivindicando su territorio.

El territorio de Aguilera es un lugar para la celebración. Hay mucha gente botando y bailando por el escenario y ella no para de saltar y recordar al público que la fiesta no puede detenerse. Carnal y excesiva, Aguilera es una intérprete aplastante. Gafas de sol, plumas negro y un vestido transparente con adornos rojos y de una sola pieza que marca su volcánica figura. Cuando salta al escenario, el público sabe inmediatamente que no ha venido a Mallorca a saludar. Quiere comerse el escenario y lo consigue desde la primera canción. A la segunda se ha quitado el plumas y ya contornea la figura de forma descarada y salvaje. La propuesta no admite medias tintas.

De hecho, antes de que salga al escenario, las grandes pantallas lanzan este mensaje: “Ready to get…”. Preparado para… “Dirty”. Suciedad. Es un mensaje contundente y sin miramientos. La suciedad es un pop lascivo y efusivo, mirando a la cara a su público, tan atado después de dos años de pandemia y tan necesitado de perder el control. Aguilera es perfecta para que los sensores de control fallen. Ella los explota y los pone en nuevas revoluciones con pop, rock mainstream, reguetón y lo que sea que puede empujar al esqueleto a distintos territorios a los que no está acostumbrado en lo cotidiano.

El territorio de Aguilera viene de un sitio hostil. Una estrella del pop que viene condicionada por Disney. De niña fue integrante de Mickey Mouse Club, un programa que convierte a niños en juguetes rotos en la adolescencia. Por allí pasaron Britney Spears, Justin Timberlake o Ryan Gosling. Ella tuvo que buscar un lugar rompiendo un espejo y ese reflejo que todo el mundo veía de ella. Lo consiguió con discos entre lo latino y el pop anglosajón más machacón. Hoy, tiene una estrella en el Paseo de la Fama y cinco Grammy. Es alguien importante. Nunca fue Patti Smith, PJ Harvey, ni una riot grrrl… Fue una chica más, como tantas de su generación, queriendo triunfar sin querer derribar el sistema.

Al menos, ahora, cuando sabe que el sistema del éxito es cruel, que ella ha dependido tanto del qué dirán y cómo que los medios de comunicación gestionarán toda su vida, rompe a su manera, como Britney, como tantas mujeres, como tantas personas atadas a un pasado. El pasado de Aguilera es el de un padre violento y maltratador, con una madre llevándose a la familia lejos de casa, huyendo en coche noches enteras por las carreteras de Nueva Jersey para evitar encontrarse con el padre. El pop de Aguilera celebra tanto el momento, el instante estúpido, que, conociendo su pasado, tiene mucho más sentido y razón de ser. No es el mejor pop, no es una osadía artística, ni una chifladura admirable, pero es sencillo y celebrativo, como esa vida a la que no hay que renunciar cuando todo viene mal dado. Hubo algo de piloto automático, pero el piloto quizá era necesario en tiempos como estos.




i hope you are happy now


i love this forum but sometimes some users are so BASIC AND ONE-SIDED

please if you want to insult me for those articles that i brought, better go straight to that web and write what you want on the comnentary section!!

@NewAgenda

they are 2 different articles!!

the second one is not about her but they metion her on the first parragraph for that reason i brought it

@NewAgenda

no!!! i didn't write that, i'm not a hater or a bitter fan ¿Why i should always clear about this kinf of stuff? .... i just brought here what the GP is telling about yesterday

check the comments section on the mallorca festival social....reviews are not the best!!

- delayed 40 minutes and playback are the big bad aspects they are critizing

Franz Ferdinand took the attention yesterday. They Won...

just read the reviews and comments on the social


also here;

https://jenesaispop.com/2022/06/26/4365 ... a-de-hits/

Although Christina Aguilera was the highlight of Saturday's day at Mallorca Live, even if it was so rare to see her play in Spain, or anywhere other than the United States, she really did not represent the best of the day for the reasons stated. . It was Franz Ferdinand, on the contrary and despite the times that we have been able to see them live, who took the cat to the water.

https://jenesaispop.com/2022/06/26/4365 ... -desunido/


Bionic? Rather chaotic: Christina Aguilera gives a fun but disunited show in Mallorca

Mallorca Live has scored one of the festival hits of the summer by confirming Christina Aguilera on its lineup this year. It had been almost 2 decades since the interpreter of 'Beautiful' had not landed in Spain to act, and the feeling of being in a privileged situation for seeing her practically before anyone else was palpable in the air. Since Thursday, fans of Christina who were wearing the 'Stripped' shirt swarmed through the venue. Others opted for 'The X Tour'. From the first hour of Friday, Christina's most faithful followers awaited her arrival in the front rows of the stage. It was necessary to make sure to see it in conditions in case it took another 20 years to return (although in Spain there are still two opportunities).

There was also some unease in the air for the first 15 minutes…or 20 or 30 that Aguilera didn't come onstage. The singer had time to earn both the cheers and the boos from the public. Finally, the show began with visuals that warned of Christina's arrival and her sluttiest song: "Are you ready to get dirty?" Christina emerged on stage in a see-through red bodysuit, coat, and sunglasses. 'Can't Hold Us Down' came next, and nothing prepared the audience for the strange concert to come. Funny, yes, but strange.

Christina's show was several in one. At no time did it seem like a concert dedicated to his EPs in Spanish, which, perhaps, no one expected either; but the singer chose to make an exhaustive and rushed review of her entire career without worrying about to give some kind of unity to the songs. In some cases he was not even on stage to interpret them, and in others he shortened them without rhyme or reason.

After the first two singles from 'Stripped' came 'Bionic' and 'Vanity', suddenly taking us back to 2010... or to the Pride parties. The show then seemed to start all over again with a reggaeton version of 'Genie in a Bottle' that did lead to the brief Latin act... only to give way to more erratic decisions that generated bewilderment.

One of them was the introduction of Christina from 'Pa Mis Muchachas'. It seemed that she was going to sing a ballad when, accompanied by some guitar chords, she began to talk about how excited she was to receive the public's love at a time when especially negative things are happening in the world (she indirectly alluded to the repeal of abortion law). But not. It was the turn of the main single from 'La Fuerza', which Aguilera liked to record because she did it with Nathy Peluso, Nicki Nicole and Becky G and she "had always wanted to feel part of a group". Ironically, Christina only remembered to name Nathy, and besides, the part about them didn't even sound. The song was shortened badly, robbing it of its climax.

In a show where you didn't know where the different acts began or ended, if any, and where the cultivation of an atmosphere, a cohesive environment, was non-existent, Christina took us back to Pride with 'Feel this Moment' and the first tsunami of confetti shot out from the stage, threatening to engulf all of Mallorca. It seemed like the end of the show, which gave way to an interlude in which Bad Bunny's 'Titi asked me' and Farruko's 'Pepas' were played. If nothing seemed to make sense anymore, Aguilera returned to the stage to sing "Ain't No Other Man" ... and left it again while the dancers danced to the rhythm of the songs of "Burlesque". Bionic? Rather chaotic.

Within this chaos, it must be said that there was a lot of hits, so anyone who was familiar with Christina's repertoire was going to have a good time. 'Lady Marmalade' blew the crowd away with tons more confetti shooting out of nowhere, and Christina's rendition of 'Beautiful', with rhythm variations on the melody, was gorgeous. 'Fighter' starred in the moment of euphoria of the night, and 'Let There Be Love' concluded the show with a message dedicated to love and union, in which Christina did make explicit reference to the "freedom to decide".

I'm not the least bit interested in the debate about playback at pop concerts. Yes, Christina did call on him at various points in the show, to the point where she didn't even care if it was obvious, like when on 'Santo' he would adlib on top of his own pre-recorded lead vocal. Probably lip-syncing allows you to preserve your voice so you can continue to tour. Especially on 'Beautiful' it became clear that Christina is still an impressive vocalist. Unfortunately, she didn't seem too interested in putting on a show that made sense, told a story, or just had a modicum of unity.

Babyjane92 wrote: ↑Thu Jun 23, 2022 1:48 pm Dancers and the rest of the team are rehearsing "Como Yo"

link?